Who I Am

I'm the founder and sole engineer at Bukelini-Mastering, a boutique mastering studio based in the heart of Berlin. With over 20 years of experience in audio engineering, I've dedicated my career to the final, critical stage of music production: mastering.

Berlin's unique sonic landscape — from the raw energy of underground clubs to the precision of classical concert halls — has deeply influenced my approach. I believe every track deserves to sound its best, whether it's destined for vinyl pressing, streaming platforms, or live PA systems.

Experience & Background

My journey began in the late 1990s, working in analog studios across Europe before transitioning into the digital domain. This hybrid background gives me a rare perspective: I understand the warmth and character of tape and tube gear, while fully embracing the precision and flexibility of modern digital tools.

• 15+ years running independent mastering studio in Berlin-Kreuzberg
• Former senior mastering engineer at Abbey Road Studios (2008–2012)
• Contributing mastering engineer for 200+ released albums across genres
• Specialized in electronic music, jazz, and orchestral recordings
• Guest lecturer at Universität der Künste Berlin (Audio Mastering program)
• Certified Apple Digital Masters (formerly Mastered for iTunes) provider

My Philosophy on Mastering

Mastering is not about making things loud. It's about making things right. My role is to serve the music — to enhance what is already there without imposing a signature sound that overshadows the artist's vision.

I approach each project with three principles:

1. Transparency: The best mastering is often invisible. If listeners notice the mastering before they notice the music, something has gone wrong.

2. Context: A club track demands different treatment than a folk album. I master for the intended listening environment, whether that's a car stereo, headphones, or a Funktion-One soundsystem.

3. Preservation: Dynamic range is not the enemy. I fight the loudness war by delivering masters that breathe, punch, and translate across all systems.

Every project begins with a conversation. I want to understand your vision before I touch a single fader. Because at the end of the day, mastering is a collaborative art — and the music always comes first.